Uruurinta guryaha Chanel waxay had iyo jeer caan ku yihiin xajmigooda, dhexdhexaadnimada iyo asalka. Sannadkan ma ahayn mid ka reeban, sida soo ururinta cusub ee Chanel Lafoole, oo horay loogu soo bandhigay dadweynaha, ayaa horey u soo dhaweeyay taageerayaasha Karl Lagerfeld .
Muddo dhowr ah, qolka muraayadda Chanel ayaa soo bandhigtay midabtakoorkiisa mugdi, hoose oo hooseeya. Si kastaba ha ahaatee, dharka Chanel 2014 ayaa ku farxay haween badan oo leh midabyo badan. Dharka midabada hodanka ah: midab, cagaar, casaan, cawl, buluug iyo shaararku waxay u muuqdaan kuwo aad u fiican.
Lovers of attention and glamor dhab ah jecel yihiin dharka fashionable Chanel, dhoobo ka soo dhejisyo kala duwan, iyo gooyo aan caadi ahayn keena badan oo dareen wanaagsan.
| | | |
| | | |
Caadooyinka iyo Fashion
Inkasta oo tijaabooyin adag oo ubax ah, Karl Lagerfeld waxba kama ilaawin dhaqamada guriga, iyo ururinta ayaa sidoo kale soo bandhigay dharka caadiga ah ee Chanel. Qaababka twidley laconic ee gaaban oo toos ah muuqaal gaar ah soo jiidashada, abuuraya image dumar ah, taas oo caan Coko caan.
Dharka quruxda badan ee Chanel wuxuu u qalmaa dareen gaar ah. Qurxinta ugu weyn ee dharka waxay ahayd midabada midabaysan ee qaabka loo yaqaan 'patchwork', iyo sidoo kale isku dhafka silhouettes iyo line-yada, joogitaanka walxaha samaynta sida rinestones iyo daabacaadda.
Qurxoon dharka cad Chanel - tani waa shaqo dhab ah oo farshaxan, oo u muuqda mid adag. Dharkaani wuxuu ku fiican yahay dabaal weyn ama dhacdo bulshadeed.
Haddii aad eegto qaababka dharka dharka dheer ee Chanel, waxaad arki kartaa sida kala duwanaansho kasta oo ka duwan midba midka kale. Dharka kasta, naqshadeeyaha casriga ah wuxuu maalgashanayay naftiisa. Dharka aad u qurux badan oo dharka leh, iyo dharka lacagta oo leh suunka balaadhan ee qaabka patchwork iyo gacmo dhaadheer oo la socota ileyska ayaa siin doona sawirka naagta nooc ka mid ah ilaahnimada iyo jilicsanaanta.
Iyo sida had iyo jeer for macmacaanka ugu fiican ee uruurinta ururinta cusub ee dharka Chanel.
| | | |
| | | |
| | | |
